The core audio track was not presented to raters. Immediately after each presentation of a dancer, participants made a judgement of dance quality on a seven-point Likert-type scale, extremely bad dancer to extremely good dancer). After each rating, the participant was prompted to move on to the next rating segment. Subsequent analyses were based on mean ratings (external rotation) and for the elbow in one dimension (flexion extension).
"No relationship is a waste of time. If it didn't bring you what you wanted,
it taught you what you don't want."
Each joint angle was filtered using a second-order Butterworth low-pass filter with a cut-off frequency of 10 Hz. Simple visual inspection of the angles showed that they fluctuated in magnitude in a series of unidirectional movements.
Anybody know what these people are talking about? Auwe, that ain't fo' us.
The Viennese Waltz dates back from the 1700s when dirt farmers and country folk from Austria created a semi-scandalous new dance to the two and half count waltz music. It required partners in tight embrace to move at high speeds. However, the thrills of flight and close proximity shortly dissolved most puritanical concerns and the popularity of the dance blanketed the continent with the contagious force of the bubonic plague.
In the 1860's, the Mexican Empire was established by Napoleon and he chose Archduke Maximilian of Austria to be the first Emperor of Mexico. Naturally Max brought as many of his pals as possible and they were not dancing Salsa. The long establishing Spanish High Society took to the Viennese Waltz like a drug. And they constructed beautiful Ballrooms.
"Cuando Escuches Este Vals" by Vicente Fernandez
The Indians and the lower class had had that type of beat for centuries but now it was as partner dancing. The current Latin Waltzes include both, the type danced in the American Waltz and the type danced Viennese using a basic Samba step. Try it it works.
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